Sleek Celine Outfit Post.

20-05-2013

Sleek CelineI am obsessed with these fur lined Celine slides.Featured in the SS13 collection these cuddly creations were purring my name.But of course with such a high price tag a girls gotta compensate so I picked up these Adidas babies as a substitut…

By Air To My Earth

MBFWA The Innovators Profile: Elissa McGowan.

16-05-2013

MBFWA The Innovators: Elissa McGowan

IN part two of my MBFWA Innovators profile series, I spoke backstage with Elissa McGowan. 
Photo: Jamie-maree Shipton
Photo: Jamie-maree Shipton
In the lead up to our chat, I only managed to find a bit of information about new designer Elissa McGowan, and what information I did find didn’t do her or her designs justice.
The complexity behind the inspiration for Elissa’s collection is something you don’t come across in fashion too often. It’s an instance where fashion delves into another world and where the creations result in something dreamlike and beautiful.
It was no wonder then that the main inspiration for Elissa’s collection was surrealist painting, the ideology behind surrealism and in turn the subconscious of creating such surrealist expression in both paint and fashion.
The collection was fittingly titled ‘Pure Psychic Automatism’, which is essentially the definition of surrealism.
Instead of a paint brush, Elissa’s canvas is developed with a needle and thread. It is with these tools that she explores texture and sculptural cuts through a psychedelic and surreal approach. The time involved in the creation of Elissa’s collection is equal to that needed to create a surrealist masterpiece, and I find her backstage still working on it.
Photo: Jamie-maree Shipton
Photo: Jamie-maree Shipton
I am initially intrigued about what it is about surrealism that Elissa finds so appealing in her design process.
“I reference nature a lot and I think there is a parallel between a realism in nature, in terms of its forms, and it being quite organic. So for me, it was a natural progression to look at surrealism,” Elissa explains.
She applies a painterly approach to the development of her garments, ensuring her organic shapes are employed within the constraints of cleanly sculptured lines. It is this juxtaposition between organic and sculptured line and shape that represents the surrealist element of her collection. Elissa makes her organic and painterly lines exist in a sharp tailored garment, something that would not occur often within the realism of nature.
“I did a lot of layering, cutting and bonding. I used a lot of silks and sheers and worked within the realm of building up layers in the organic sense. I also worked with the idea of sculpture and drape, which is something you also see in surrealism through the dripping of paint,” she says.
Elissa says one of her main sources of inspiration was the artist Francis Bacon, who “uses a lot of fleshy tones, but highlights and frames with darker elements and accents.”
Her collection is a successful representation of the complexities inherent in surrealism. You may see one thing, but something else is always coexisting at another level of the art. For example, a lot of the painterly patterns draped across Elissa’s garments appear to be watercolour images constructed by a printer, but once I get a closer look, I see the patterns are actually created through the layering of fabric.
The effect is otherworldly. With so many layers, you would assume there would be a heaviness to the garments. But in fact, they are airy, delicate and light.
As I end our interview, I ask Elissa what she wants people to feel when viewing her collection on the runway.
“I think each to their own. I try and create a bit of a dream sense, but I do want the women who wear my pieces to feel strong and like they know themselves,” she says.
Elissa’s collection definitely transported MBFWA viewers to a dream sense, creating an atmosphere of whimsy that left myself, and the other show-goers, with a feeling of awe over such a beautiful collection and such beautiful craftsmanship. No doubt there will be big things to come for Elissa McGowan.

By Air To My Earth

POC Denim/Outfit Post.

16-05-2013

So I have long been obsessed with denim on denim, so when the design duo Marques Almeida came along it was like a dream come true.The beauty of denim showcased through their raw hems, stiff boxy silhouettes, variety of washes and of course the overall …

By Air To My Earth

Outfit Post: Black & White.

01-05-2013

My favourite colour combo, black and white.It’s my go to palette that never does wrong.I mix it up with textures and accessories, like this chubby fur coat I have been living in! Mossman shirt.Cotton On pants & jacket.H&M boots.Estelle Dev…

By Air To My Earth

Topshop Terrific.

29-04-2013

All about this cut copy style shoot over at Oyster featuring all Topshop gear plus of course the babe’n Anja. 

By Air To My Earth

MBFWA Womenswear Trend Report.

25-04-2013

To follow up the menswear trend report, here is the womenswear trend report from MBFWA…

Mercedes Benz Fashion Week Trend Report

 | April 23, 2013
Words by Jamie-Maree Shipton
While MBFWA showcased Spring/Summer 13/14 looks, you can get ahead of the fashion curve by wearing these styles now. 

Do it like a dude:

Man-style mania at Michael Lo Sordo 

Androgynous and man-style looks were abound at MBFWA, showcasing that Aussie designers have more than just a boyish charm for menswear. Thin, fresh faced models with simple, swept back hair donned shapeless, oversized, and boxy structured silhouettes and exuded an air of relaxed, carefree male attitude on a number of runaways.

The looks were refined, sleek, and minimalist, making this style enviable. Keep it feminine with some balance, like what Michael Lo Sordo did, by showing hints of midriff  for a young and girlish feel.

Futuristic:

Metallic foil fabric futurism at Shakuhachi. 
Intergalactic babes at Christina Exie. 

MBFWA showcased ultra modern looks and exaggerated styling that walked down the catwalks on space-age babes. Shakuhachi and Christine Exie went intergalactic, finding inspiration in ‘cyber dystopian style travellers’.
With sportswear influences, these spacesuit-like pieces were mixed with metallic foil fabrics and stuck in mesh mania. The exaggerated proportions and angular shapes, along with sharp edges, created alien-like outfits that were fit for a fresh, fashionable look. Overall, it was a sleek take on the futuristic fashions of previous seasons.

Visual Illusions/Hyper floral:

Pixellating prints at Ginger & Smart.
Panels and lines at Manning Cartell. 
Print overwhelmed the catwalks at MBFWA, with some designers using a panelling effect to draw the eye and slim the waistline, while others stuck to geometric and mirrored patterns that enhanced the female shape.
But it wasn’t all in the name of illusion. A lot of designers used prints to add fun and spark to their collections with hyper floral and futuristic frequencies . Manning Cartell, Dion Lee, and Ginger & Smart all had their own take on the print frenzy, while Elissa McGowan took it further by creating floaty water colour prints with layered fabric.

Sports Luxe:

Mesh, cut-outs and high necks at Bec & Bridge and Lisa Ho. 

This trend is still going strong with several designers at MBFWA channeling the sporting style, albeit with a new ’90s-inspired twist that was exemplified by Bec & Bridge and Lisa Ho.
We saw a lot of runways with mesh, cutout detailing, and sheer panelling mixed with high necks, drawstring pants, and racer backs for that obvious sportswear look. But this season, designers are pairing them with ’90s-inspired streamlined minimalist shapes, form-fitting body-con styles, and slick hairdos for a fresh take that we love.

Globe Trotter:

Eccentric prints at Camilla.  
Bohemian globe trotters at Easton Pearson. 

Vivid colour palettes aplenty were paired with rich and textual embellishment for a more globalised look. Camilla, Roopa Pemmaraju, and Easton Pearson did it best with exotic prints and tribal-like accessories. The looks were kept refined with simple shapes and impeccable styling that created modern bohemian goddesses.

Va-Va Volume:

The volume was turned up HIGH at Alice McCall and Ellery.
Pump up the volume with structured silhouettes and oversized abundance. An antidote to the minimalist looks being showcased by other designers, Alice McCall and Ellery shined with their voluminous collections. The volume was amped up on pants, inflated diaphanous sleeves, baggy blazers, and swathes of layered fabric and boxy shapes to create pieces of a 3D scale.

Accessories Trends:

Stacker style:

Rings adorned every finger at Alice McCall.
Smooth surface rings on every finger ‘Balenciaga Style’ were seen on the Alice McCall catwalk, making everyone that wasn’t already streetstyling this high fashion look get on board.

Need some neon:

Neon perspex goodness backstage at Emma Mulholland (image via Style Bubble). 

In line with the futuristic fashions on the catwalk, accessories also took on a space-age vibe. Emma Mulholland showcased neon perspex pieces in geometric shaped necklaces, chokers, and star shaped cuffs.

Less is more:

The clothes did the talking with bare accessories seen at Christopher Esber. 
If no accessories can be an accessory, I’m all ears. Keep in simple and pair it back like Christopher Esber and Shakuhachi.

By Air To My Earth

MBFWA Menswear Trend Report.

25-04-2013

Here’s my menswear trend forecast from MBFWA as published over at Moustache Magazine! 

MBFWA Male Trends 2013

 | April 22, 2013
Words by Jamie-Maree Shipton
Although MBFWA was a celebration of womenswear there was also large amount of menswear on offer. Here are the trends Jamie-Maree Shipton picked out that the boys can start wearing now, ahead of the Spring Summer 13/14 season.
Monochromatic: From black on black, black on white and white on white, as long as your working with a monochromatic palette you’ve got it right. From Britten’s design process was pretty black and white ([un intended); to keep the colour palette minimal.  Handsome male models swathed in black and white ensembles and looked anything but morbid. Fading greys were also showcased further playing with the toned done palette of the moment. But don’t worry, this style is anything but boring; mix up your textures and shades to amp up your look.
Black and white was best at From Britten.
Fading greys didn’t mean fading style cred at From Britten.
Sporting style: This trend wasn’t limited to girls; the boys played with it too. Although there was no mesh, racer backs or cut outs, From Britten and Emma Mulholland showed sporting styles fit for fashionable lads.  From Britten paired baggy, parker style jackets over shorts and shirts for a school sports uniform vibe, while Emma Mulholland channeled skiing and surfing for some serious street sportswear. 
Skiing inspired sporty looks at Emma Mulholland.
Deconstructed suiting: Yes, a man can never fail in a suit, but if you really want to do fashion it’s time to step it up and chop it off. Conventional tailoring got a makeover with the expected suit measurements being taken down a notch or two. Sleeves and shorts were cut off, but the collars were still stiff and shoes still shiny. The palette was restrained but the material not; leather shorts and a collared shirt combo anyone? It was about making the expected, unexpected. It’s time to banish the bore and try something fresh and new, and this look certainly ticks that box.
Deconstructed suiting at From Britten. 
Cut off sleeves at Paul Scott.
Printed perfection: Print wasn’t just for the streetstyle peacocks outside Carriageworks; it made more than one appearance on the runways. Even better, the print on pattern panic hit menswear. Vanishing Elephant sent safari suits in exotic prints down the runway, as well as sailor stripes and seagull patterns. Preconceptions about the more-is-more looks was further reduced with the fantastical fun of Emma Mulholland’s menswear selections. Snowflakes and sea-life were placed on matching leopard print tracksuits for maximum print overloads. Don’t shy away from this style; show your love of print and wear more than one.
Stripes and seagulls at Vanishing Elephant.
Print overloads at Emma Mulholland.
Urban walker: Freshen up your look with layers. Paul Scott did it best where the layers weren’t just in the clothing but in the functionality. They were wearable and fashionable.  Jackets over shirts, shirts tied around waists and paired with dropped crouches and cropped style chaps. The looks were youthful, urban and embodied the perfect “I’m too cool for fashion” vibe. Street cred is certain if you amp up the volume and layer. This style is perfect for the guys who enjoy fashion but don’t want to look like they do.
Layer it up like Paul Scott’s creations.

By Air To My Earth

Boyish Charm.

22-04-2013

I have never wanted Birkenstocks so bad in ma life. Bassike SS 13. 

By Air To My Earth

Bad to the bone.

22-04-2013

This brand/lookbook was too good not to share after Oracle Fox did a post on it today.I love the raw grunge vibe and the boyish androgyny, every piece is killer.But the dropped leather pants and those overalls that fasten around your neck, ar…

By Air To My Earth

Crystalline.

22-04-2013

Every blogger’s and journalist’s dream accessories!Weston notebook and iphone cases available here. 

By Air To My Earth

MBFWA THE INNOVATORS PROFILE: PART ONE LEROY NGUYEN

17-04-2013

I was lucky enough to go backstage at Mercedes Benz Fashion Week to interview the up and coming designers featured in the Innovators show. In part one of this interview series, I speak with Leroy Nguyen.
Some of the models dressed in Leroy Nguyen get their final touches backstage before the show.
Some of the models dressed in Leroy Nguyen get their final touches backstage before the show. Photo: Jamie-maree Shipton
When I met Leroy Nguyen, I’ll admit I was a little bit starstruck. His debut collection had me swooning as I contemplated all the lengths I would go to to get a piece. I was trying my hardest not to turn into a fan girl. Luckily, as soon as we began talking,  it became clear that Leroy was a lovely and easy going person, which quickly calmed me.
Leroy has become a bright new star in the fashion world. His debut collection Natural Born Killer garnered much attention from the fashion elite, including high acclaim from blogger Margaret Zhang of Shine by Three, who shot pieces from this collection for Harper’s BAZAAR.
Designer Leroy Nguyen with a model in one of his ss13/14 pieces before the MBFWA Innovators show. Image Jamie-Maree Shipton
Designer Leroy Nguyen with a model in one of his ss13/14 pieces before the MBFWA Innovators show. Photo: Jamie-Maree Shipton
The collection was exactly on point with what the fashion world was craving. Boxy silhouettes in a bonded silk neoprene fabric, patchwork with different colours and textures to create shell like cocoon coats of beauty, and structured dresses that, although quite stiff, still accentuated the women’s frame and were oh-so-covetable.
So it’s not surprising Leroy’s MBFWA SS 13/14 collection had a lot of people overwhelmed with anticipation and excitement. It’s even less surprising that he was asked to be the opening collection for The Innovators show, a opportunity he says was “super exciting and a great honour”, and took some pressure off as he didn’t have to worry about change overs – that is, models getting changed from one collection to the other.
I was curious whether the acclaim and praise of his first collection had affected his process in creating this collection and subsequently whether he felt pressure to make this collection bigger and better.
‘There was definitely some internal pressure. There were a few moments when I thought about the hype that has been established,” he says.
It made him ponder how he was going to “meet up to that hype and expectation”.
But as he pulled up to the finish line, he felt the anxiety melting away.
He says he became more clam and more assured , and developed a new-found confidence.
“I think it’s a great collection. Whether it meets a mark or not, I’m sure it will, but that’s not what’s most important at the moment,” Leroy says.
“I have done a good job, I know I have, I’m really proud of it.”
Leroy’s confidence was rightly placed as post-show, it was obvious he had met the mark. The collection stayed true to the aesthetics showcased in his first collection as bonded silks and neoprenes were again used throughout. Leroy explains these fabrics were mixed with leather alongside crisp cottons and lightweight organzas and silks to create the boxy structures silhouettes.
Models posing in Leroy Nguyen Design backstage at MBFWA The Innovators show.
Models posing in Leroy Nguyen Design backstage at MBFWA The Innovators show.
When asked about the process in creating these shapes, he says it was about taking time, “creating an initial idea and sticking with it, continuing to pattern make and draft till you get the right shape”.
The overall goal, Leroy says, was to “create tension between heavy and lightweight fabrications, tension between sportswear influences and strict tailored clinical pieces”.
The main source of inspiration behind his current collection was from the film Willy Wonka, and it’s only logical that he named the collection The Candy Shop.
A Leroy Nguyen look walks down the Innovators Runway at MBFWA. Image ThePrDept.
A Leroy Nguyen look walks down the Innovators Runway at MBFWA. Photo: ThePrDept.
“It’s a classic. It was one of my favourite movies and books as a kid. It’s always kind of stuck with me as a feel good kind of go-to,” he says.
Besides the obvious attractions of the film – kaleidoscopic prints, colours and candy fare – Leroy explains his inspiration delved further.
“I was more interested in how deep the story actually was. If you look past all the psychedelic chocolate and cream, Willy Wonka is actually quite troubled and tired and is this really old soul,” he says.
“And a lot of the time the wonderland that he has comes across as quite trippy and threatening and scary, and I found this quite interesting for a children’s novel.”
These influences were evident on the runway. Psychedelic swirls like the giant lolly pops in the film were printed onto tough structured separates but also soft tailored silks. Sheer organzas in vivid colours were sewn into stiff but delicate looking pieces worn over swimwear like wrappers over lollies. Zipper details coming apart and opening at hems, symbolic of Willy Wonka’s unraveling train of thought.
Zipper details on one of Leroy Nguyens MBFWA The Innovators runway looks. Image ThePRDept.
Zipper details on one of Leroy Nguyens MBFWA The Innovators runway looks. Photo: ThePRDept.
The collection truly felt like the wonders of some mysterious candy land, the prints enticing and the over sized shapes aggressive, yet compelling.
A point of difference in this collection from his last was the inclusion of swimwear, and Leroy sees it as a natural progress of creation.
“Swimwear has always been an avenue I have wanted to explore. Yeah you can wear these pieces at the beach and the pool, but I’m quite interested in how a girl takes an interesting one piece or cool top and how she pairs it with other pieces to create a fresh new look,” he says.
Unsurprisingly then, his swimwear collection is fitting both for the beach and everyday-wear.
So what’s next? Menswear?
“Menswear is definitely something I would approach later on down the track, but I think at the moment I really want to establish myself as a women’s wear designer,” Leroy says.
And I have no doubt that when he does attempt menswear, that it will be a success too.
The Candy Shop collection by Leroy Nguyen:



*story originally published (by me) at Meld Magazine.

By Air To My Earth

My MBFWA Gang.

15-04-2013

My favourite MBFWA buddies Tasfia Reza & Fabliha Reza from Inside In Inside Out (Fab is behind the camera!) & Sam Van Grinsven a.k.a Brisbane Boy the Fashion Editor at Moustache Magazine.  Bring on New Zealand Fashion Week!!…

By Air To My Earth

MBFWA DAY TWO OUTFIT.

15-04-2013

Here is my MBFWA Day 2 outfit. Shout out to the lovely Fabliha over at Inside In Inside Out blog for snapping these for me <3Topshop top & skirt.Sportsgirl sunglasses.DIY leather bag.Bardot Chain necklaces.Estelle Deve shark tooth ring…

By Air To My Earth

MBFWA DAY FOUR OUTFIT.

14-04-2013

Here is my day 4 MBFWA outfit which was also snapped by the lovelies at streetcreeper.com, thanks!  Custom made dressCeline bagh&m bootsMaison Martin Margeila nose bridge Air To My Earth quartz choker/collar 

By Air To My Earth

MBFWA DAY FIVE: NEW GENERATION PART ONE.

14-04-2013

The final day of MBFWA began with the New Generation show, where seven designers debuted fresh collections.You know it’s going to be a pretty good morning when your show line up includes seven designers in the one showcase. Even though the showtime is …

By Air To My Earth

MBFWA Final Day Outfit.

12-04-2013

 Bardot skirt, top and jacketH&M bootsCeline bagSportsgirl SunglassesEstelle Deve shark tooth necklaceBardot I.D necklaceEbay Choker

By Air To My Earth

MBFWA EMMA MULHOLLAND.

12-04-2013

Although a last minute addition to the MBFWA schedule, Emma Mulholland quickly become the MOST anticipated show of the week. There was so much hype in fact the show was so over capacity that at least 50 people were turned away from the doors, some even…

By Air To My Earth

MBFWA DAY FOUR.

12-04-2013

Phoenix Keating.

Known for his dramatics, and famous clients (Lady Gag), Pheonix Keating’s debut MBFWA showcase delivered above and beyond. The show; which was half catwalk, half presentation, was as awe inspiring as any show goer could hope for. Upon walking into the shows location, I was met with a dark lit space , with light illuminating towering models standing on display boxes, and in the centre of their circle formation stood a large windmill. The atmosphere felt something reminiscent of a modern western. The music matching perfectly to this aesthetic, a futuristic beat to what I assume was a western theme song to some old sitcom. All that was missing was hay bails, although you still felt like you were still standing in the wild-west The whole styling of the show was perfection. Then there were the models and the clothes. The aura the models were illuminating by simply standing, unwavering and barely even blinking was very fierce. This of course was enhanced by their extremely long false nails and what I called hardwear-their big metal jewellery and belts. They really embodied a persona that lifted the clothes. And this got even better when they began disembarking from their platforms, solo,  and walking around the room. The clothes were theatrical and powerful, signature Keating.  It was a futuristic, western frenzy. High shine silver foil like materials paired with suede brown fringing, tweed tailoring mixed with mesh details, large rolled hair styles paired with over the top makeup. It was definitely a one of a kind show, and some of the other reporters even dared say they would have shed a tear had they not been surrounded by others!

Shakuhachi.

Space-age grunge and floaty, feminine florals collided in Shakuhachi’s MBFWA show “Cyber-Barberella”.

The pumping soundtrack to the show the appropriate “Your mission Barbarella: find Durand-Durand” by The President (Barbarella, 1968).

This season’s muse was a brazen dystopian bombshell-Barbarella, living in a fantastical floral fairytale. The diverging ideals clash so seemlessly in perfect harmony that the collection takes you on a whimsical journey through time and space and back again.
Spacesuit-like construction was fused with wistful prints and girlish silhouettes. Bomber jackets coated in a metallic sheen were paired with playful floral camisoles, and punctuated with aluminium backpacks and perspex hightops. Figure-hugging sweet-heart PU bustier’s acted as the models cosmic-armour, foil like fabric as some kind of extreme heat protector and iridescent sequins and pearlescent fabric a futuristic colour palette.
The exaggerated proportions and angular shapes of the cap sleeves and sharp edges of peplums and skirt hems were juxtaposed with ready-to-wear sportswear pieces with mesh detailing and dreamy mashed up floral prints.White on white looks were fresh and sleek, metallic high shine fabrics worn one on top of the other in blues, greens and pinks emphasised the matchy-matchy trend and sweat headbands adorned in sequins matched perfectly to the models glittered eyelids creating  true space-age glamazons.
Shakuhachi offered a haute galactic voyage through a colliding cosmos is an ode to the modern-day super-girl and I loved every minute.


*Images via mbfwafashionweek.com
story originally published (by me) at Meld Magazine.

By Air To My Earth

MBFWA The Innovators: Backstage Images.

11-04-2013

I was lucky enough to be allowed backstage for an hour leading up to the Innovators show at MBFWA, and although I was interviewing the designers I was able to take a few hurried shots before the show got underway.It was KILLER!Interviews, images and re…

By Air To My Earth

MBFWA DAY THREE.

11-04-2013

Day Three had its ups and downs but it definitely finished on a high.Lisa Ho The day three opener was a presentation of modern femininity. Strong women strutted the catwalk in the modern backdrop of the Art Gallery of NSW, with sleek, firmly pulled bac…

By Air To My Earth